The Desert Nights, Rising Stars
Writers Conference

Learn an overview of an agent’s job and role in working with authors throughout the process—from signing to the publishing deal and beyond. This session opens for Q&A from the audience and is intended to be conversational, so bring your questions.

This session will explore broad approaches and philosophies to incorporating research into fiction writing. What are the goals of research? How can research be employed in fiction writing beyond ambiguous ideas of "authenticity"? How does one mine facts and histories for rich narrative discovery? A mixture of lecture and exercises, this session will ask participants to think differently on how we research fiction, and how to better employ acquired knowledge and expertise.

It’s one thing to imagine a space battle; it’s quite another to write one in such a way it slips easily through the reader’s believability filter. This session will explore research and writing techniques for incorporating scientific fact in your fiction. Participants will gain practical knowledge of scientific resources for writers, as well as tips for crafting science fiction that is both compelling and believable.

This session discusses the issues that arise when authors represent foreign spaces in fiction—such as other countries, cities, states, and landscapes—they themselves have not traveled to or are not originally from. We will look to what extent a writer can “know” a place they did not grow up in; we will discuss/write how to deal with the social and factual issues innate to representing unfamiliar territories, sharing observations from our own work and experience.

In this session, we will examine four fundamental elements of narrative and how they fit together to craft a story that readers won't want to put down.

We will focus upon the complex matters of temporal experience writers reckon with as they compose and as they revise. Participants should come prepared for an active discussion ranging over broad concepts and specific approaches.

Writing about the American West has moved well beyond literature of American Old West/Frontier narratives that were typically set from the late eighteenth to the late nineteenth century. A new understanding of contemporary western writing is emerging. Sometimes referred to as Postfrontier literature, the more recent literary output of the region tends to engage in a reinterpretation of the region, calling into question the ways in which it has been defined in the past.

Some of the most iconic narrators in the history of literature have been nothing short of abject liars. Huckleberry Finn? Totally unreliable. Nick Carraway? Delusional. Briony Tallis? Humbert Humbert? Both Nick AND Amy Dunne? Con artists, one and all. In this session, we'll examine the art of deception, how writers can make their narrators—in any point of view—unreliable without alienating their readers in the process.

Publication is an exciting and daunting aspect of being a writer. You’ve put in an enormous amount of work in a manuscript and you’re ready for publishers to take a look. Now what? What do you need to know in the process to be prepared for a first book publication? Join Kristen Radtke, Andrea Avery, Dereck Palacio, and Kaveh Akbar in this mixed-genre session designed to help you navigate the journey of what to expect during the first book publication process.

This session will examine whether there is a difference between writing for young people and writing about young people and the unique challenges of writing stories for both adolescent readers and adults. Many stories star young protagonists who live in and encounter the same mature world that adults do. Whether realistic or fantastical, it's a world filled with darkness and light. But just because a young character is front and center doesn't necessarily mean that the book is geared towards kids. What makes a book a book specifically for young people?

What makes a sentence so powerful and enduring that it will stick in your mind forever? In this session, we’ll take a look at some beautiful sentences and try to figure out exactly what makes them work, what distinguishes a writer’s style at the syntax level, and where the music of prose resides. We’ll talk about the sentence as the unit of composition in fiction, and take a look at some examples of revised sentences from published writers to see how they made their words sing. You’ll be asked to respond to these examples critically and creatively.

You reach a crucial moment in your short story, novel, or essay; do you employ dialogue or narrative prose? When do we want the reader to eavesdrop on a scene in real time . . . and when do we want to simply "fill in the blanks" on what happened? We'll explore the nature of dialogue, its use and misuse, and its relationship to story and character.