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Writing sound-driven poems can allow us a way into writing about that which feels hard to say or express. In this session, we will consider how sound effects meaning in a few poems, attending to what Robert Pinsky calls a poem’s “audible web.” Then, we will do a writing exercise where you will have a chance to experiment with sound, letting it be your guide as you explore a subject matter that you’re struggling to tackle.
The tools of the trade remain relatively the same, but the size of the package—when it comes to writing “flash”—forces us to distill our stories into palatable, 750-word bites. Think of them as appetizers for your longer works, parts/chapters of a longer whole, or simply an exercise in brevity and lyrical concision. In this session, we’ll discuss the features of the form as well as a few recent flashes from Brevity magazine.
In this session, we will focus on selected examples from the works from Henri Michaux and Anais Nin, writers whose sense of erotic distance and aesthetic distance is instructive. We will focus upon selections from Henri Michaux, Selected Writings (New Directions, paperback) and Anais Nin, Under a Glass Bell (Swallow Press / Ohio University Press).
An in-depth look at narrative structure and how to make each section stand on its own and function in the larger story.
In this discussion-based session, learn about one author’s views and perspectives on graphic nonfiction, including recommendations for writers pursuing the genre, how releasing the first graphic novel has impacted the author’s life, and how the worlds of art director and author meld/don’t meld together as a career.
We live in a time of hybrid forms when creative writers are exploring lyric prose in striking ways. In this session, poet and memoirist Stephen Kuusisto will share examples drawn from lyric essays that not only bridge the gap between poetry and prose, but also demonstrate how the writer finds new imaginative ground. Writing prompts will also be shared.
From the absences of Sappho to the specters of Henry James, the idea of haunting presents itself in many forms throughout literature. In this session we'll explore haunting as narrative driver and resonance builder. Whether you're interested in building a traditional ghost story, a tale of unrequited love or lingering grief, or lacing your work with outside influences, this session will help anyone looking for ways of building theme and image-based collateral in a variety of genres.