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The Story Behind the Poem with James Sallis

 

Instructor(s): 
James Sallis
Date(s): 
Wednesdays, 6:30 - 8:30 pm, April 5th - 26th, 2017
Location: 
Piper Writers House, 450 E Tyler Mall, Tempe, AZ 85281
Cost: 
$225

About the Class

Around the corners of every poem, whether it be Robert Lowell’s autobiographical “Memories of West Street and Lepke,” W.S. Merwin’s  brief lyric “Fly,” or the great progenitor of contemporary poetry, Blaise Cendrars’s “La Prose du Transsibérien et de la Petite Jehanne de France,” peeks a story, a narrative. And as with all good story-telling, the poem not only tells (suggests, implies, evokes) what happened, it sketches out character, uses voice to pull us in, conducts us to the emotional heart of a  story by way of tone, sound, image, and rhythm. We’re going to use this notion – the story behind the poem, even if in hiding – to approach poetry in a fresh way.

The writer’s struggle is always to get as much of the world as possible into each sentence, loaded onto every phrase, packed away in each line.  Real frogs in imaginary gardens, as Marianne Moore wrote – and real warts on imaginary frogs. Poetry in this regard can be the ultimate paring-down.  How little can we say and still build, in six lines, or fourteen, or twenty, an entire world for the reader? How can we lure readers into that world and make it endure for them, cause it to dwell in their minds long after the reading? How much of the deepest experience of literature resides in what is not on the page? 

We’re going to look behind the curtain and do our best to suss out what the wizards back there have been up to.  We’ll be closely reading a dozen or so poems across genres, from Apollinaire and the French Symbolists to Steve Dobyns, Merwin’s fable “The Last One,” Auden. Giving us some new clothes, we hope. And by writing poems to assignment we’ll be trying on those new clothes to see how they fit.

Meet Your Instructor

Desert Nights Rising Stars Writers Conference Faculty 2019 James Sallis
James Sallis has published seventeen novels, multiple collections of short stories and essays, four collections of poetry, three books of musicology, reams of criticism, a classic biography of Chester Himes, a book on paperback novelists of the fifties, and a translation of Raymond Queneau's novel Saint Glinglin – 36 books, to date. His novels include Drive, from which the award-winning film derived, the six-volume Lew Griffin cycle, Death Will Have Your Eyes, Others of My Kind, and Willnot. Jim has received a lifetime achievement award from Bouchercon, the Hammett Award for literary excellence in crime writing, and the Grand Prix de Littérature policière. This year sees a new novel, Sarah Jane, and a new poetry collection, Ain’t Long ‘Fore Day.