Literary Conflict and the Art of the Dramatic Story

with Phil Holland Workshop Type: 2014, 4-Week, All Levels, Fiction, Online, Unlisted, Winter
Length: 4-Week
Genre: Fiction
Type: Online
Skill Level: This workshop is suitable for writers of all skill levels.
Location: Online
From: Sunday, 19 January 2014
To: Saturday, 15 February 2014

We’ve all experienced the difference between a story that grabs and holds our attention and one that does not. What makes for this difference? Are there tried and true techniques – no matter what our chosen genre – that can intensify the drama of our stories? This four-week course will explore one such technique: literary conflict. By analyzing a variety of examples from diverse eras and genres, we will look at how this technique has been used by writers down the ages, from ancient dramas to contemporary fiction, plays, films, and television dramas, even in non-fiction histories, biographies, and memoirs.

We’ll ask: What is it? Why is it? and, How does it relate to other storytelling approaches and techniques? Along the way we’ll also explore the value of storytelling as such, and the essential role of literary conflict. In lectures and exercises we’ll isolate its specific elements, practice applying it to our own stories, and discuss some surprising theoretical points about why it works, and why this tool should be in any writer’s toolbox.

 

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Phil Holland imageAbout Phil Holland

Philip Holland, Adjunct Professor of Creative Writing at Emerson College, has published short stories in the Cimarron Review, Cottonwood, Artisan, and The Worcester Review, among others.  He is also an interdisciplinary instructor for the MFA program at Lesley University, where he teaches a workshop in flash fiction and has supervised independent studies in beginning to advanced fiction writing

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